Monday, June 30, 2014

Meatballs (1979)

Film Title: Meatballs
Released: June 29, 1979
Directed by: Ivan Reitman
Written by: Len BlumDaniel GoldbergJanis AllenHarold Ramis

Plot: The kids and counselors of the below average Camp North Star are going to make this a summer to remember, but not if their rivals at the prestigious Camp Mohawk have anything to say about it!

IMDb: 6.1/10
Rotten Tomatoes: 75/100
My score: 3/5

Meatballs is fun little romp through the now familiar comedy film territory of summer camp. Known mostly as the launching pad for the careers of Bill Murray (here in his first starring role) and Ivan Reitman, it also introduced child actor Chris Makepeace. Murray and Makepeace have a good chemistry as the head camp counselor and the kid he takes under his wing. The film spawned three sequels, only one of which has any thing to do with the original. The movie is also Matt Craven's first film appearance. The film won three Genie Awards (Best Performance by an Actress in a Leading Role: Kate LynchBest Original Screenplay: Len BlumJanis Allen & Daniel Goldberg; Golden Reel Award: Ivan Reitman & Daniel Goldberg) and was nominated in another six categories.

Sunday, June 15, 2014

King Frat (1979)

Film Title: King Frat
Also Known As: Campus King & Delta House
Released: July 1979
Directed by: Ken Wiederhorn
Written by: Ron Kurz (as Mark Jackson)
Starring: John DiSanti & Dan Fitzgerald

Plot: This raunchy college comedy follows the misadventures of the Pi Kappa Delta fraternity, which includes an entry into a farting contest and other equally lowbrow hi-jinks.

IMDb Score: 4.5/10
Rotten Tomatoes Score: No Score
My Score: 1/5

WARNING: SPOILERS AHEAD

In the wake of Animal House in 1978 came King Frat just one year later. It not only tries to be John Landis' debut film but it also tries to outdo it in about every way possible, too. More boobs, more fart jokes, more drinking, more general gross out factor. The result, however, leaves much to be desired. I can do lowbrow comedy but this movie is just trying too hard to be crass and offensive. The plot concerns (in no particular order), the Pi Kappa Delta brothers driving around town mooning everyone they see, causing the death of the Yellowstream University (yep, that's the name of their school) president before the end of the title sequence; entering a farting contest, complete with "fartometer"; a couple that inadvertently have sex in the back of an ambulance only to get stuck together (the guy is in a gorilla suit and the girl, in order to hide her identity while being wheeled through the hospital, has a paper bag put over her head); the president of the fraternity (John DiSanti as the aptly named "Gross-Out" Gumbroski) and his relationship with his blowup doll he's named Grisselda; and of course the ubiquitous rivalry with the preppy frat that culminates in an all out brawl near the end of the film. These plot elements don't even include the glaringly racist portrayals of the one black actor in the film (who works as some sort of janitor for the preppy frat, going so far as to even call them "master" when he speaks to them) and a white guy (Dan Chandler) playing a Native American Pi Kappa Delta named Chief Latrine of the Kissawong tribe (complete with terribly stereotypical dialogue and delivery: "I no eat that! That white man food."). King Frat is supposed to be a comedy but the problem is that it's just not that funny.


Friday, June 13, 2014

Shock Waves (1977)

Film Title: Shock Waves
Also known as: Death Corps, Almost Human (UK)
Released: July 15, 1977
Directed by: Ken Wiederhorn
Written by: John Kent Harrison, Ken Pare & Ken Wiederhorn

Plot: A group of tourists on a pleasure cruise run aground on a deserted island. They soon discover that the self-exiled Nazi commander who lives there is being attacked by undead soldiers that he sent to a watery grave years before.

IMDb: 5.7/10
Rotten Tomatoes: No score
My Score: 2.5/5

WARNING: SPOILERS AHEAD!

Shock Waves is the 1977 directorial debut of Ken Wiederhorn, who also co-wrote the film. It stars Peter Cushing and John Carradine in really ancillary roles and focuses more on the group inadvertently trapped on the island. Carradine is the captain of a small vessel that has taken a group of vacationers on a pleasure cruise. Their ship is damaged by a the rotting remains of a "ghost ship" it encounters and they must head to a nearby island for repairs. On the island they believed was deserted, the group encounters Cushing, an SS commander who tells them they need to leave at once. But after they tell him of the mysterious soldiers they have seen lurking between the trees, he tells them that it is too late; the Death Corps have arrived! The premise of the film is decent but the execution lacks quite a bit. Carradine doesn't survive the first twenty minutes but Cushing is good in the scenes he's actually able to act in, not just run around in circles looking for the "zombies" he sent to the bottom of the ocean decades before. I disagree with the assertion that these guys are actually zombies in any sense in which we are familiar with so I refer to them as the Death Corps, which is what Cushing calls them. There are some pretty glaring inconsistencies regarding the rules of the universe presented in the film. For example, Brooke Adams seems to kill one of the Death Corps by knocking off his goggles. Okay, goggle removal equals death, I can live with that. But not more than a few scenes later, there are several other Death Corps members clearly running around without their goggles with no negative effects. The underwater photography of the Corps members walking toward the island is nicely done and the first shot of them rising from the water as a group on the beach is significantly creepy. But once the action switches to the jungle and rivers, there are repeated shots of Corps members going into or out of the water over and over and over again, weaken the impact each time. The one thing I liked the most was the repeated human errors. Every time the castaways almost made their getaway, it always was human folly that caused the escape to be foiled. Heightened emotions, lack of training or something similarly human was to blame no the monsters, as is so common in most horror movies. Watch the trailer below or the whole movie here.

Thursday, June 12, 2014

House on Haunted Hill (1959)

Released: February 17, 1959
Directed by: William Castle
Written by: Robb White

Plot: Five people are offered $10,000 each to stay overnight in a haunted house with an eccentric millionaire and his wife.

IMDb: 6.9/10
Rotten Tomatoes: 95/100
My Score: 4/5

There's no denying that House on Haunted Hill is a classic of the horror genre, and for good reason. Vincent Price is of course one of the patriarchs of classic horror and I have a soft spot for Carol Ohmart because she was in the wonderfully demented Spider Baby. The story set up is simple and straightforward but the plot twists are what elevate this one from your run of the mill ghost story. Recommended viewing. Director William Castle had a knack for devising gimmicks to promote his films, usually to great success. For House on Haunted Hill, he used "Emergo," an intricate pulley system installed in select theaters that allowed a plastic skeleton to be flown over audience at the right time during the film. The success of this film piqued the interest of filmmaker Alfred Hitchcock, who he started devising his own low-budget horror film based on a novel written by Robert Bloch called Psycho. House on Haunted Hill was remade in 1999, with a sequel appearing in 2007. Watch a trailer for the film below or the entire film here.



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